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More than 1,200 cosmetic chemists and executives came to Paris to hear the latest science and issues impacting the industry.
December 5, 2014
By: TOM BRANNA
Editor
When a team of European scientists landed the Philae space probe on Comet 67P, the fantastic feat was cheered all around the world and demonstrated that, when ingenious minds collaborate, great things can be achieved. Admittedly, the gathering of cosmetic chemists at the recent 28th Congress of the International Federation of Societies of Cosmetic Chemists (IFSCC) didn’t garner the same media attention nor worldwide acclaim, but it too demonstrated that much can be accomplished when people come together. The event attracted 1,200 chemists from 40 countries, who came to hear more than 70 podium presentations, view more than 400 posters, visit with nearly 70 exhibitors and soak in all that Paris, the City of Light, has to offer. Of course, organizers were confident that the program was strong enough to keep attendees inside Palais des Congrés, and out of the cafes, museums and shops along the Champs Élysées. The event opened with presentations by IFSCC president Jadir Nunes, IFSCC vice president Claudie Willemin, who also serves as president of the Sociéte Française de Cosmétologie, and Gérard Redziniak, chairperson of the steering committee. Speakers noted that the diverse program encompassed a range of sciences including psychology, physiology, biology, physics and, of course, chemistry. Neurocosmetics and Beauty The diversity of topics was evident from the opening keynote address delivered by Christine Petit, College de France, who discussed senses and sensitivity and sensory disorders. “Don’t think of the senses separately,” she told the audience. “Most interactions in life are multisensory.” She explained how learning takes place due to the plasticity of synapses growing and evolving. That evolution is apparent on the skin too, where over two square meters, messages regarding pain, pressure, stress and texture are constantly occurring. In fact, Petit noted that repetitive stimulation reorganizes the sensory map. She reviewed how, more than 40,000 years ago, early humans drilled holes in bones to make flutes and create music, which can play an important role in keeping the brain functioning at a high level. In fact, no less than Charles Darwin, in his memoirs, lamented that music didn’t play a bigger role in his life. “…if I had to live my life again I would have made a rule to read some poetry and listen to some music at least once every week; for perhaps the parts of my brain now atrophied could thus have been kept active through use,” Darwin penned. L’Oréal’s Dominic Bernard echoed the theme of interconnectivity. His team used the multi-omics approach, including transcriptomics, proteomics, metabolomics and interactomics, to identify more precisely biological dysfunctions and to discover unexpected targets. L’Oréal has applied multi-omics to discover new biomarkers of skin aging and new cosmetic actives for “next generation” anti-aging products. “Proteomics enabled us to characterize skin barrier modification during aging,” he explained. “Quantitative proteomics helps to demonstrate the benefits of applying a new cosmetic composition. L’Oréal performed an in vivo Transcriptomic analysis to determine the dynamics of gene expression during skin repair after surface aggression. Bernard explained how employing multi-omic tools enables researchers to select the best active cosmetic ingredients in in vitro skin models and evaluate their performance in complete formulas in vivo. By utilizing all of these tools, one day, chemists will be able to create personalized treatments for consumers, he concluded. During the evaluation phase, complementary testing is imperative, explained Philip Mondon of Sederma. He noted that oily skin increases lipid release and fuel p. acnes formation, causing follicular hyperkeratinzation. Using in vitro and in vivo methods, the Sederma team developed a treatment based on verbascoside (derived from lily), that reduced lipid storage. In vivo test results showed the active reduced the number of blemishes by 48% and reduced red spots by 38% after one month. Am I Beautiful? One of the key beauty measurements is facial contrast; i.e., the contrast between facial features and the surrounding skin. Although this contrast varies between ethnicities, its decline with age is universal, noted Aurélie Porcheron of Chanel. Her team looked at 763 women, ages 20-70, in a group that included Caucasians, Asians, Blacks and Latin Americans. Individual faces were perceived as younger when these aspects of facial contrast were artificially increased, but older when these aspects of facial contrast were artificially decreased. These findings show that facial contrast plays a role in age perception, and that faces with greater facial contrast look younger. “Facial contrast must be taken into account in the recommendation of cosmetics to enhance women’s beauty,” she concluded. What makes one face more attractive than another? According to Philippe Humbert, University of Franche-Comté, facial beauty can be principally defined by three fundamentals:
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